{"id":727,"date":"2012-03-19T09:53:12","date_gmt":"2012-03-19T08:53:12","guid":{"rendered":"http:\/\/icem-www.folkwang-uni.de\/icem-web\/?page_id=727"},"modified":"2012-03-19T10:11:05","modified_gmt":"2012-03-19T09:11:05","slug":"produktionen-aus-den-computermusikstudios","status":"publish","type":"page","link":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/audios-videos\/produktionen-aus-den-computermusikstudios\/","title":{"rendered":"Produktionen aus den Computermusikstudios (seit 2000)"},"content":{"rendered":"

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 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2000<\/strong><\/td>\nMehrkanal<\/td>\nIkramova, Anna<\/td>\nBeaute paree…<\/td>\n<\/tr>\n
2000<\/strong><\/td>\nStereo<\/td>\nPfeifer, Roman<\/td>\nStudie I + Studie II<\/td>\n<\/tr>\n
2000<\/strong><\/td>\nStereo<\/td>\nLepper, Markus<\/td>\nK\u00fcnftiger Mai, elf Lieder auf Texte von Heinrich Heine<\/td>\n<\/tr>\n
2000<\/strong><\/td>\nStereo<\/td>\nPfeifer, Roman<\/td>\nStudie III<\/td>\n<\/tr>\n
2000<\/strong><\/td>\nMehrkanal<\/td>\nYang, Yong Joon<\/td>\nGrau & Blau<\/td>\n<\/tr>\n
2001<\/strong><\/td>\nMultimedia<\/td>\nIkramova, Anna<\/td>\nDer schlafende Reiter (Band I)<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nMehrkanal<\/td>\nVent, Axel<\/td>\ninside the wood of marimba<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nMehrkanal<\/td>\nYang, Yong Joon<\/td>\nBreath<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nMehrkanal<\/td>\nLee, Byung Moo<\/td>\nSootoo<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nMultimedia<\/td>\nRobles, Claudia<\/td>\nBewegung in Silber<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nStereo<\/td>\nPena, Luis<\/td>\nRaumzeit<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nMehrkanal<\/td>\nRobles, Claudia<\/td>\nKern<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nStereo<\/td>\nKim, Han Shin<\/td>\nTanose<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nStereo<\/td>\nKim, Han Shin<\/td>\n„Puhaha“<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nStereo<\/td>\nKim, Han Shin<\/td>\nAufgabe 1<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nStereo<\/td>\nKim, Han Shin<\/td>\nSt\u00fcck 2<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nStereo<\/td>\nHaarmann, Ralf<\/td>\nInteraktion #1<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nMehrkanal<\/td>\nLee, Hwan<\/td>\ngroups<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nMehrkanal<\/td>\nPark, Jae-Su<\/td>\nSpace<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nMehrkanal<\/td>\nPark, Jae-Su<\/td>\nSpace 2<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nMehrkanal<\/td>\nHaarmann, Ralf<\/td>\nJames Dean<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nStereo<\/td>\nGarreis, Simon<\/td>\nVerzweig Dich<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nMehrkanal<\/td>\nD\u00f6rries, Federico<\/td>\nUndichte Stellen stopfen<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nStereo<\/td>\nGehlen, Christophe<\/td>\nTMAMAT<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nStereo<\/td>\nGehlen, Christophe<\/td>\nSchwebungsebenen<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nStereo<\/td>\nFinke, Thomas David<\/td>\nDichte Studie 1<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nStereo<\/td>\nW\u00f6stefeld, Michael<\/td>\nIn the Kitchen<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nStereo<\/td>\nD\u00f6rries, Frederico<\/td>\nDer intratranssuborgasmischer U-boot<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nStereo<\/td>\nD\u00f6rries, Frederico<\/td>\nBichillos intrgal\u00e1cticos<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nStereo<\/td>\nD\u00f6rries, Frederico<\/td>\nViolencia Org\u00e1nica<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nStereo<\/td>\nD\u00f6rries, Frederico<\/td>\nGabe – Dos<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nStereo<\/td>\nGarreis, Simon<\/td>\nd‘ ordung<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nMehrkanal<\/td>\nLee, Byng Moo<\/td>\nSigma Point<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nStereo<\/td>\nRusch, Jan<\/td>\ndeac<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nStereo<\/td>\nKamp, David<\/td>\nZAP<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nMehrkanal<\/td>\nLan, Weiwei<\/td>\ngebrochene Klanggestalten<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nMehrkanal<\/td>\nZwi\u00dfler, Florian<\/td>\ndoppelbrunn<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nMehrkanal<\/td>\nKamp, David<\/td>\nZappedzap<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nMehrkanal<\/td>\nSchmidt, Johannes<\/td>\nUnder Construction<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nMehrkanal<\/td>\nKim, Jinyun<\/td>\nOsmosis<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nSchmidt, Johannes<\/td>\nt-fall<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nMehrkanal<\/td>\nJohannes Schmidt<\/td>\nf cue<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nKamp, David<\/td>\nWasser<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nFrickulin<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nI will…..<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nFolges\u2030tze<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nP60704<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nCoarsecrackles<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\ndis.playce<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nkeimreim<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nHundert Rahmen hochkant<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nImpulsk\u02c6rper I<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nMarcoll, Maximilian<\/td>\nohne Titel – eine Miniatur<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nStereo<\/td>\nFinke, Thomas David<\/td>\nEs kommt kein Schiff<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nStereo<\/td>\nSchmidt, Johannes<\/td>\nHanta Virus<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nMehrkanal<\/td>\nMattil, Florian<\/td>\nKauft Fu\ufb02pflegekaugummi !<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nMehrkanal<\/td>\nKaraoglu, Kerim<\/td>\nSense Data<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nStereo<\/td>\nTahriri, Madjid<\/td>\nDer Sturz<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nMehrkanal<\/td>\nSchmidt, Johannes<\/td>\nTension Elastica<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nStereo<\/td>\nTahriri, Madjid<\/td>\nTombak<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nFinke, Thomas David<\/td>\nWas Es Nicht Ist 1 (Aura – Varianten)<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nSchmidt, Johannes<\/td>\nUferblatt<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nSchmidt, Johannes<\/td>\nDecember 21st Rain<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nKamp, David<\/td>\nSnow<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nKamp, David<\/td>\nBackdraft<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nMehrkanal<\/td>\nF\u02c6rster, Jonas<\/td>\nViereinhalb Minuten Caratillo<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nMehrkanal<\/td>\nF\u02c6rster, Jonas<\/td>\nEchoes of Urban Life<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nMehrkanal<\/td>\nSchnelle, Christof<\/td>\nA Walk<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nSchnelle, Christof<\/td>\nConcrete_01<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nSchnelle, Christof<\/td>\nSinusstudie<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nSchnelle, Christof<\/td>\nMutter<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nSchnelle, Christof<\/td>\nLoop \/\/ Unloop<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nMehrkanal<\/td>\nSchnelle, Christof<\/td>\nIn Bloom<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nMultimedia<\/td>\nSchnelle, Christof<\/td>\nInstallation Klassenkonzert \/ Sheep<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nStereo<\/td>\nKamp, David<\/td>\nSavewets<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nTahriri, Madjid<\/td>\nAmadinda<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nTahriri, Madjid<\/td>\nAmadinda<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nTahriri, Madjid<\/td>\nMagma<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nJohannes Schmidt<\/td>\nKurbeltrichter<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nHwang, Yong Taek<\/td>\nAir<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nHwang, Yong Taek<\/td>\nthe Art of War<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nHwang, Yong Taek<\/td>\nOzeanwetter Kontroll-Center<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nHwang, Yong Taek<\/td>\nBiorhythmus<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nDiekmann, Gregor<\/td>\nGD_03_RE_08<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nDiekmann, Gregor<\/td>\nTorchonChiffonCarpette<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nDiekmann, Gregor<\/td>\nUnterbrochen Abgel\u02c6st<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nKaraoglu, Kerim<\/td>\nGrin!<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nKamp, David<\/td>\nEinhorn<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nStereo<\/td>\nKamp, David<\/td>\nAlmaz<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nHartlieb, Florian<\/td>\nIm vorderen Zimmer des hinteren Raums<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nHartlieb, Florian<\/td>\nTr\u2030um ich, dass ich wach bin oder schlaf ich nur im Stehen?<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nMehrkanal<\/td>\nDingler, Hendrik<\/td>\n„Suite No.2 Op. 64c & a dwarf, who jumps around bumbling on amorphic legs“<\/td>\n<\/tr>\n
2010<\/strong><\/td>\nStereo<\/td>\nSchmidt, Johannes<\/td>\nVolker ist verr\u00b8ckt<\/td>\n<\/tr>\n
2010<\/strong><\/td>\nStereo<\/td>\nGodde, Jan<\/td>\nSinusgraph Studie<\/td>\n<\/tr>\n
2010<\/strong><\/td>\nStereo<\/td>\nKaraoglu, Kerim<\/td>\nwie es wirklich war<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nBaumgart, Jan<\/td>\nWarp and Wooves<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nBaumgart, Jan<\/td>\nLautRiss<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nDingler, Hendrik<\/td>\nRrumpff tillff toooo ?<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nDingler, Hendrik<\/td>\nHast du T\u02c6ne<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nDingler, Hendrik<\/td>\nCrunchy Snow<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nStrothmann, Christiane<\/td>\nRick’s Posaune<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nStrothmann, Christiane<\/td>\nLogos<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nStrothmann, Christiane<\/td>\nDer K\u02c6lner Dom<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nStrothmann, Christiane<\/td>\nTranskulturell<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nSeidl, Hannes Galette<\/td>\nTripeltee (Versuch zu denken)<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nSeidl, Hannes Galette<\/td>\nre: bounce<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nSeidl, Hannes Galette<\/td>\nStudie 2<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nSeidl, Hannes Galette<\/td>\nStudie 3 \/ 3a<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nSeidl, Hannes Galette<\/td>\nStudie 4<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nBrzozowski, Jacek<\/td>\nOlymp-sphere<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nBrzozowski, Jacek<\/td>\nUmme Ecke ist halt Castrop<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nTobiassen, Lukas<\/td>\nTransire<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nTobiassen, Lukas<\/td>\nJa, machen wir’s ganz einfach<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nTobiassen, Lukas<\/td>\nSinusstudie<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nTobiassen, Lukas<\/td>\nseeking druses<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nWang, Bo<\/td>\nString Trio<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nWang, Bo<\/td>\nStudie 8<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nWang, Bo<\/td>\nDas Lied von der Holzseele<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nWnag, Bo<\/td>\nChinesische Schrift Nr. 1<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nWang, Bo<\/td>\nDie Chinesische Kalligraphie<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nWang, Bo<\/td>\nChinesische Elemente – Jin<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMultimedia<\/td>\nWang, Bo<\/td>\nXi Xia Stammesh\u00e4uptling<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nFlorian Harlieb<\/td>\nSinusstudie<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nFlorian Hartlieb<\/td>\nAn einem Sontag<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nStereo<\/td>\nFlorian Hartlieb<\/td>\nQut of the fridge<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nHartlieb, Florian<\/td>\nZu Spielen bei offenem Fenster<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nMehrkanal<\/td>\nJonas F\u00f6rster<\/td>\nTransmutation<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

    2000 Mehrkanal Ikramova, Anna Beaute paree… 2000 Stereo Pfeifer, Roman Studie I + Studie II 2000 Stereo Lepper,<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":38,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth.old.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-727","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/pages\/727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/comments?post=727"}],"version-history":[{"count":7,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/pages\/727\/revisions"}],"predecessor-version":[{"id":737,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/pages\/727\/revisions\/737"}],"up":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/pages\/38"}],"wp:attachment":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/media?parent=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}