{"id":10206,"date":"2025-01-19T11:47:52","date_gmt":"2025-01-19T10:47:52","guid":{"rendered":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/?p=10206"},"modified":"2025-01-24T17:45:30","modified_gmt":"2025-01-24T16:45:30","slug":"just-in-time-januar-2025","status":"publish","type":"post","link":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/just-in-time-januar-2025\/","title":{"rendered":"Just In Time &#8211; Januar 2025"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large wp-duotone-1900d8-ffa96b-1\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"400\" data-id=\"10216\" src=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2025\/01\/jit_bjoerk-1.gif\" alt=\"\" class=\"wp-image-10216\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default wp-duotone-8c00b7-fcff41-2\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"400\" data-id=\"10217\" src=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2025\/01\/jit_oliveros-1.gif\" alt=\"\" class=\"wp-image-10217\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-a60072-67ff66-3\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"400\" data-id=\"10215\" src=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2025\/01\/jit_oram-2.gif\" alt=\"\" class=\"wp-image-10215\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-000000-00a5ff-4\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"400\" data-id=\"10218\" src=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2025\/01\/jit_xenakis-2.gif\" alt=\"\" class=\"wp-image-10218\"\/><\/figure>\n<\/figure>\n\n\n\n<p>Herzliche Einladung zu den Klassenkonzerten der Integrativen Komposition mit St\u00fccken der Klassen von G\u00fcnter Steinke, Dietrich Hahne, Stefan H\u00fcfner, Thomas Neuhaus und Michael Edwards.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Programm &#8211; Just In Time I &#8211; Pina Bausch Theater &#8211; 24.01.2025<\/h2>\n\n\n\n<p><strong>Clarissa Ray Porst &amp; Kai Strathmann: www.zw@ng.cam<\/strong> <br>2025 UA, 9\u2019<br>Tanz, Live Elektronik<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Zum Einsatz kommen zwei Kinect Kameras, die die Bewegungen des K\u00f6rpers verfolgen und in Form eines digitalen Skeletts in bis zu 48 Punkte unterteilen, welche durch die Koordinaten im Raum die Komposition in Echtzeit erzeugen.<\/li><\/ul>\n\n\n\n<p><strong>Ilya Perov: Well Prepared Expromt<\/strong><br>2025 UA, 8\u2019<br>Disklavier, Live Elektronik<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Mir f\u00e4llt auf, dass Humor in der Kunst oft mit Unerlichkeit und Auslachen verbunden ist. Tats\u00e4chlich finde ich, dass das Unseri\u00f6se nicht immer ironisieren muss und nicht immer unecht sein muss: Dieses St\u00fcck ist sehr unseri\u00f6s und sehr ehrlich.<\/li><\/ul>\n\n\n\n<p><strong>Greta Gottschalk: hot fox pony<\/strong><br>2025 UA, 3\u2019<br>Fixed Media: Single Channel Video, 5.1 Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>foxy photon foxy hop not foxy hop ton onyx fop hot onyx oft hop onyx oft hop fox typhoon fox phony to fox pony hot foy tony hop pox font hoy pox of thy no pox of thy on ox fop thy no ox fop thy on ox oft phony ox of python<\/li><\/ul>\n\n\n\n<p><strong>Greta Gottschalk &amp; Chiara R\u00fc\u00dfmann: over her dead body<\/strong><br>2025 UA, 6\u2019<br>Fixed Media: Single Channel Video, 5.1 Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Dead Love<br><br>Oh never weep for love that\u2019s dead<br>Since love is seldom true<br>But changes his fashion from blue to red,<br>From brightest red to blue,<br>And love was born to an early death<br>And is so seldom true.<br><br>Then harbour no smile on your bonny face<br>To win the deepest sigh.<br>The fairest words on truest lips<br>Pass on and surely die,<br>And you will stand alone, my dear,<br>When wintry winds draw nigh.<br><br>Sweet, never weep for what cannot be,<br>For this God has not given.<br>If the merest dream of love were true<br>Then, sweet, we should be in heaven,<br>And this is only earth, my dear,<br>Where true love is not given.<br><br>\u2014Elizabeth Siddal (1829-1862)<\/li><\/ul>\n\n\n\n<p><strong>Leonard G\u00fcnther: FEUCOBOCOB<\/strong><br>2025 UA, 12\u2019<br>Lautsprechermusik Live<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>ANE<\/li><\/ul>\n\n\n\n<p><strong>Fabian Bentrup: nur bis heute das Ganze nicht<\/strong><br>2025 UA, 10\u201930\u201c<br>Disklavier, Video<\/p>\n\n\n\n<p><strong>Fanni K\u00fchn: Da, wo wir immer waren<\/strong><br>2025 UA, 9\u2019<br>Fixed Media: Single Channel Video, Stereo Audio<\/p>\n\n\n\n<p><strong>Soft Spot: As Friends x Spiel-Uhr-Zeit<\/strong><br>2025 UA, 6\u2019<br>Gesang, Klavier, Gitarre<br>Fanni K\u00fchn und Flora Komarek<\/p>\n\n\n\n<p><strong>Chiara R\u00fc\u00dfmann: Testo Howls<\/strong><br>2025 UA, 6\u2019<br>Fixed Media: Single Channel Video, Stereo Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Wir tauchen in die Manosph\u00e4re ein.<br><br>Diving into the manosphere.<\/li><\/ul>\n\n\n\n<p><strong>Leon Blank: An Advancement Of Learning<\/strong><br>2025 UA, 6\u2019<br>Fixed Media: Single Channel Video, Stereo Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Videokomposition<\/li><\/ul>\n\n\n\n<p><strong>Leon Blank: When Our Bodies Come Whirling<\/strong><br>2025 UA, 3\u201930\u201c<br>Pop Solo Performance<\/p>\n\n\n\n<p><strong>Leon Blank: Ears In The Towers Hear<\/strong><br>2025 UA, 3\u201930\u201c<br>Pop Solo Performance<\/p>\n\n\n\n<p><strong>Johama: Wiederseh\u2019n<\/strong><br>2023, 4\u2019<br>Gesang, Klavier<br>Johanna Bojarzin<\/p>\n\n\n\n<p><strong>Johama: Niemand anders mehr<\/strong><br>2021, 4\u2019<br>Gesang, Klavier<br>Johanna Bojarzin<\/p>\n\n\n\n<p><strong>Franziska Boeck: Lost Mind<\/strong><br>2023, 6\u2019<br>Gesang, Klavier, Saxophon<br>Komposition &amp; Text: Franziska Boeck<\/p>\n\n\n\n<p>Besetzung:<br>Saxophon: Leon Dehne<br>Klavier: Daniel Wild<br>Gesang: Franziska Boeck<\/p>\n\n\n\n<p><strong>Neongrey: Restraint<\/strong><br>2024 UA, 4\u201917\u201c<br>Metalband&nbsp;<br>Komposition Instrumental: Christoph Dittmaier<br>Drum Edeting: Benedikt R\u00f6ssel<br>Vocals &amp; Lyrics: Franziska Boeck<\/p>\n\n\n\n<p>Gitarre: Christoph Dittmaier<br>Bass: Christian Neumann<br>Drums: Benedikt R\u00f6\u00dfel<br>Gesang: Franziska Boeck<\/p>\n\n\n\n<p><br><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Programm &#8211; Just In Time II &#8211; Neue Aula &#8211; 25.01.2025<\/h2>\n\n\n\n<p><strong>Theo Voerste:&nbsp;<\/strong><br><strong>MIMIIMIMMPIPILIPIPLIIIILPLPAMLMLAIAIIZPAPZLALAZAZAAAMZMAIZIZAIZIIAPLPAMZMZAILIIA<\/strong><br><strong>_20250125<\/strong><br>2025 UA, Einlassmusik<br>Live Elektronik<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>~cantus prius factus~<\/li><\/ul>\n\n\n\n<p><strong><strong>Theresa-Marie Hetzel: Auf den See blickend.Tag.<\/strong><\/strong><br>2023, 7\u2019<br>Streichquartett<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Auf den See blickend. Tag. ist mein erstes Streichquartett, das im Dezember 2023 entstanden ist.&nbsp;<br>Dem sehr szenischen angelegten Titel folgend, wird hier das Innenleben eines Ortes mit seinen wandelnden Texturen, Oberfl\u00e4chen, Farben und Schatten von einem stummen Beobachter betrachtet und mehr suchend als findend ertastet.&nbsp;<br>Musikalisch ausgedr\u00fcckt, habe ich Momente gesucht, in denen Ger\u00e4usche in Tonh\u00f6hen kippen und umgekehrt.<br>Ich habe versucht in R\u00e4nder von Ger\u00e4uschen und Tonh\u00f6hen rein zu zoomen bis die typischen Charaktereigenschaften beider Parameter so weit verschwindenden, dass die Kl\u00e4nge instabil werden und sich so zu neuen Klanggeweben verbinden.&nbsp;<br><br>Auf den See blickend.Tag. is my first string quartet, written in December 2023.&nbsp;<br>Following the very scenic title, the inner life of a place with its changing textures, surfaces, colors and shadows is observed here by a silent observer, searching rather than finding.&nbsp;<br>In musical terms, I was looking for moments in which noises turn into pitches and vice versa.<br>I have tried to zoom in on the edges of sounds and pitches until the typical characteristics of both parameters disappear to such an extent that the sounds become unstable and thus combine to form new sound fabrics.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Biografie<\/strong><br><br>THERESA-MARIE HETZEL (*1997 in Brunsb\u00fcttel) studierte von 2017 bis 2019 Musik und Medien an der Robert Schumann Hochschule D\u00fcsseldorf, seit 2019 studiert sie ebendort Musiktheorie\/H\u00f6rerziehung bei Frank Zabel und seit 2024 instrumentale Komposition bei G\u00fcnter Steinke an der Folkwang Universit\u00e4t Essen. Sie ist zudem als Improvisateurin \u2013 insbesondere im interdisziplin\u00e4ren Bereich (Live-Musik\/-Impro und Artistik) \u2013 t\u00e4tig, arbeitet als Tutorin f\u00fcr Musiktheorie an der Robert Schumann Hochschule D\u00fcsseldorf und ist seit Oktober 2024 als Vorstandsmitglied der GMTH f\u00fcr die Interessenvertretung der Musiktheoriestudierenden verantwortlich.<br><br>THERESA-MARIE HETZEL (*1997 in Brunsb\u00fcttel) studied music and media at the Robert Schumann Hochschule D\u00fcsseldorf from 2017 to 2019, where she has been studying music theory\/aural education with Frank Zabel since 2019 and instrumental composition with G\u00fcnter Steinke at the Folkwang University Essen since 2024. She is also active as an improviser &#8211; especially in the interdisciplinary field (live music\/improv and artistry) -, works as a tutor for music theory at the Robert Schumann Hochschule D\u00fcsseldorf and has been a member of the GMTH board representing the interests of music theory students since October 2024.<\/li><\/ul>\n\n\n\n<p><strong>Annelie Schr\u00f6tter: Potrait I<\/strong><br>2024, 8\u201951\u201c<br>Fixed Media: Single Channel Video, Stereo Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Eine Sammlung menschlicher Augenblicke.&nbsp;<br>Mit analogen und digitalen Medien n\u00e4hert sich die K\u00fcnstlerin den Menschen.<br>Behutsam und mit weichem Blick h\u00f6rt sie zu, filmt, fotografiert, zeichnet und nimmt auf.&nbsp;<br>Es entstehen Collagen, Schnipsel eines Ganzen.<\/li><\/ul>\n\n\n\n<p><strong>B\u00e9la Baumann: This is Antonella Ricci&nbsp;<\/strong><br>2024 UA, 5\u2019<br>Fixed Media: Single Channe Video, Stereo Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>????\ufe0f??\u200d\u2640\ufe0f<br><br>Excerpt from the movie &#8222;Der Friedhof wartet nicht&#8220; which was filmed in Montepulciano, Italy in September 2024. It is a fictional documentary about Antonella Ricci, the last formidable descendant of the glamorous Ricci family. She lives in the Palazzo Ricci in Montepulciano and shows the film team her palace.<br><br>A film by:<br>Yonca Sicimoglu, Leah Morawe, Anthea Marckmann, Martin Steinfeld, Nele Ziemer, B\u00e9la Baumann, Kristina Sokova, Sofia Ognevskaia<br><br>Song:&nbsp;<br>belan &#8211; i know, toni<\/li><\/ul>\n\n\n\n<p><strong>Ruben Philipp: sometimes i have no difficulty enduring absence.<\/strong><br>2024, 5\u201955\u201c<br>Fixed Media: Single Channel Video, 5.1 Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>(perhaps) a contemplation on impermanence.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Biografie<\/strong><br>Following forays into philosophy, computer science, history and sociology, Ruben Philipp (born 1996 in Dortmund, Germany) studies composition at ICEM (Institut f\u00fcr Computermusik und Elektronische Medien, Folkwang University of the Arts).<br><br>His work and research meander around topological structures, architectures of the sonorous and the potentialities of aiesthetic processes.<\/li><\/ul>\n\n\n\n<p><strong>Ruben Philipp: anderswo ist mir \u00e4hnliches auch schon passiert<\/strong><br>2025 UA, 8\u2019<br>Fixed Media: SAD Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>zu Weiterem:&nbsp;<a href=\"https:\/\/www.rubenphilipp.com\/anderswo\/\">https:\/\/www.rubenphilipp.com\/anderswo\/<\/a><\/li><\/ul>\n\n\n\n<p><strong>Doyeon Kim: Inner Space<\/strong><br>2024, 10\u2019<br>Fixed Media: Single Channel Video, 5th Order Ambisonics Audio<br><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><\/li><\/ul>\n\n\n\n<p>\u201cListen to the inner light; it will guide you. Listen to the inner peace; it will feed you. Listen to the inner love; it will transform you.\u201d \u2013 Sri Chinmoy<\/p>\n\n\n\n<p>Inner Space is a 10-minute audio-visual piece that feels calm and delicate yet with a hint of mystery, creating a mysterious atmosphere.&nbsp;<br>Have you ever held a large seashell to your ear? Before hearing the sound, you probably didn\u2019t know what to expect.&nbsp;<br>This piece draws inspiration from the sound inside a seashell, blending it with various other object sounds. The visualisation combine abstract forms with smooth and interrupted movements.&nbsp;<br>It invites you to explore hidden inner sounds and spaces, offering an immersive and dreamlike experience. Take a journey into your inner self and discover the space within!<\/p>\n\n\n\n<p><strong>Theo Voerste: ich_wollte_auch_mal_ein_trauriges_lied_schreiben_aber_irgendwie_scheitere_ich_st\u00e4ndig<\/strong><br><strong>_20250125<\/strong><br>2025 UA, 7\u2019<br>Fixed Media: 4 Channel Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>~all die dinge, die auf dem schreibtisch liegen bleiben~<\/li><\/ul>\n\n\n\n<p><strong>Jesper von Borstel: Actually, I can\u2019t.<\/strong><br>2025, 5\u201908\u201c<br>Fixed Media: Single Channel Video, 5.1 Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>The new NGON 5X Pro Professional revolutionizes what a smartphone<br>can do. With a brand-new camera, world-class build quality, and<br>unprecedented performance, it truly is a device that&#8217;s out of this world.<br>See for yourself.<\/li><\/ul>\n\n\n\n<p><strong>Moritz Schindewolf: 3, vielleicht nur C<\/strong><br>2024 UA, 9\u2019<br>Fl\u00fcgel, 5th Order Ambisonics Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>Besetzung Fl\u00fcgel: Jan Reckz\u00fcgel<\/li><\/ul>\n\n\n\n<p><strong>Theo Voerste: MIMIIMIMMLIIILIIIILMLMMAILIAILILAIAIIALALAMAMAAIAIIALALAMAMAAIIIIAILIAMAMAAILIIA<\/strong><br><strong>_20250125 (slowed + no reverb)<\/strong><br>2025 UA, Auslassmusik<br>Fixed Media: 4 Channel Audio<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Programmtext<\/strong><br>~cantus prius factus~<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Herzliche Einladung zu den Klassenkonzerten der Integrativen Komposition mit St\u00fccken der Klassen von G\u00fcnter Steinke, Dietrich Hahne, Stefan H\u00fcfner, Thomas<\/p>\n","protected":false},"author":68,"featured_media":10221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/10206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/users\/68"}],"replies":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/comments?post=10206"}],"version-history":[{"count":7,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/10206\/revisions"}],"predecessor-version":[{"id":10228,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/10206\/revisions\/10228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/media\/10221"}],"wp:attachment":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/media?parent=10206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/categories?post=10206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/tags?post=10206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}