Am 5. Juni 2025 um 18h, im Kammermusiksaal der Folkwang UdK, Trevor Wishart (UK) h\u00e4lt seinen Ex Machina <\/em>Vortrag \u00fcber sein Werk The Garden of Earthly Delights<\/em>. Gleich danach, um 19.30 in der Neuen Aula der Folkwang UdK, erleben wir das St\u00fcck im Konzert. Der \u00dcberblick von Trevor:<\/p>\n\n\n\n Inspired by Bosch\u2019s famous painting, Trevor Wishart\u2019s multichannel audio work explores our contemporary situation, traversing an audio-maze of human predicaments.<\/p>\n\n\n\n Overview<\/p>\n\n\n\n LIMBO<\/strong><\/p>\n\n\n\n Thankyou for calling, <\/em>You are number two thousand three hundred and second in the queue. We, at Going Forward Together (GFT) <\/em>\u00ae, are working tirelessly on your behalf \u2026.<\/p>\n\n\n\n Libretto : Martin Riley<\/p>\n\n\n\n THE VAGRANAUT\u2019S CROSSING<\/strong><\/p>\n\n\n\n Traffic Incident Report : <\/em>Surveillance cameras report a suspicious individual shouting at traffic on the Main Highway. Please investigate.<\/p>\n\n\n\n Libretto : Martin Riley<\/em><\/p>\n\n\n\n THE ORACLE<\/strong><\/p>\n\n\n\n Abstract : <\/em>Recent advances in psychometric game theory and algebraic hand-waving have converged in the promising new field of Artificial Wisdom. Our newly developed interface, Oracle-2, is currently in the testing stage (warning signal sounds ….)..<\/p>\n\n\n\n Libretto : Trevor Wishart<\/em><\/p>\n\n\n\n THE MISSION<\/strong><\/p>\n\n\n\n Mission Statement : GFT <\/em>\u00ae announce a rigorous selection process for The Mission. We expect to have a highly qualified team assembled by the time the escape vehicle is launch-ready. Judging will commence!<\/p>\n\n\n\n Libretto : Martin Riley<\/em><\/p>\n\n\n\n THE RALLY<\/strong><\/p>\n\n\n\n Press Release : <\/em>We are proud to present another Great Leader\u00a9<\/sup> who, as is customary, will solve all your problems \u2013 in return for your unwavering loyalty.<\/p>\n\n\n\n THE FOREST PATH<\/strong><\/p>\n\n\n\n Recommended Route : <\/em>Cross the stile and follow the path that enters the wood. After a short ascent, cross a stream. Continue through trees into open country until the summit is reached.<\/p>\n\n\n\n Libretto: Katrina Porteous<\/em><\/p>\n\n\n\n THE NEGOTIATIONS<\/strong><\/p>\n\n\n\n From our Foreign Correspondent: <\/em>Intense negotiations are continuing over matters of mutual concern. We are unable to throw any light on the progress of these talks.<\/p>\n\n\n\n Performers of vocal source material and other collaborators<\/strong><\/p>\n\n\n\n The Oracle :\u200bLore Lixenberg and First Year Choir of the Royal Conservatory, Den Haag.<\/p>\n\n\n\n The Negotiations : \u200bMarie Guilleray, \u00c1sl\u00e1kur Ingvarsson.<\/p>\n\n\n\n The Vagranaut :\u200bMartin Riley, with Jacqueline Wishart.<\/p>\n\n\n\n Music for \u201cLimbo\u201d :\u200bBen Eyes, University of York.<\/p>\n\n\n\n Bureaucrats, Mission1 :\u200bStudents & staff, York St. Johns University.<\/p>\n\n\n\n Judges, Interrogators :\u200bLuke Dickson, John Mee, Rebecca Riley, Maggi Stratford.<\/p>\n\n\n\n Brass players :\u200bHonor Hornsby, Martha Dean, Samuel Gibb.<\/p>\n\n\n\n Special \u00a0thanks to the Konrad Boehmer Foundation<\/strong>.<\/p>\n\n\n\n <\/p>\n\n\n\n Trevor Wishart: (b 1946) Composer\/performer from the North of England www.trevorwishart.co.uk.<\/p>\n","protected":false},"excerpt":{"rendered":" Am 5. Juni 2025 um 18h, im Kammermusiksaal der Folkwang UdK, Trevor Wishart (UK) h\u00e4lt seinen Ex Machina Vortrag \u00fcber<\/p>\n","protected":false},"author":29,"featured_media":10272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/10271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/comments?post=10271"}],"version-history":[{"count":2,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/10271\/revisions"}],"predecessor-version":[{"id":10274,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/10271\/revisions\/10274"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/media\/10272"}],"wp:attachment":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/media?parent=10271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/categories?post=10271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/tags?post=10271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
specialising in sound metamorphosis, and constructing the software to make it
possible (Sound Loom \/ CDP). He has lived and worked as composer-in-residence in
Australia, Canada, Germany, Holland, Sweden, Mexico and the USA. He creates
music with his own voice, for professional groups, or in imaginary worlds
conjured up in the studio. His recent work \u201cThe Garden of Earthly Delights\u201d
(2021) is a darkly comic take on the human situation using the voices of actors,
singers and politicians. He is also the principle developer of music processing
software for the Composer\u2019s Desktop Project. His aesthetic and technical ideas
are described in the books On Sonic Art, Audible Design and Sound Composition.
In 2008 he was awarded the international Giga-Herz Grand prize for his life\u2019s
work, and in 2018 the British Association of Songwriters, Composers and Authors
(BASCA) Award for Innovation.<\/p>\n\n\n\n