{"id":457,"date":"2008-01-01T00:00:40","date_gmt":"2007-12-31T23:00:40","guid":{"rendered":"http:\/\/icem-www.folkwang-uni.de\/icem-web\/?p=457"},"modified":"2013-12-22T22:33:21","modified_gmt":"2013-12-22T21:33:21","slug":"florian-mattil-aspekte-einer-performativen-asthetik-in-der-neuen-musik","status":"publish","type":"post","link":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/florian-mattil-aspekte-einer-performativen-asthetik-in-der-neuen-musik\/","title":{"rendered":"Florian Mattil:<br>Aspekte einer performativen \u00c4sthetik in der Neuen Musik"},"content":{"rendered":"<div>\n<ul>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_diplom_titel_inhalt.pdf\">Titel &amp; Inhalt<\/a><\/li>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_einleitung.pdf\">Einleitung<\/a><\/li>\n<\/ul>\n<\/div>\n<div>\n<ol>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_kapitel1.pdf\">Zur Begrifflichkeit der Performance<\/a><\/li>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_kapitel2.pdf\">Akteure und Publikum<\/a><\/li>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_kapitel3.pdf\">Materialit\u00e4t in Performance und Neuer Musik<\/a><\/li>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_kapitel4.pdf\">Bedeutung als Intention oder Emergenz<\/a><\/li>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_kapitel5.pdf\">Der Werkbegriff und Musikperformance<\/a><\/li>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_schluss.pdf\">Schluss<\/a><\/li>\n<li><a href=\"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-content\/uploads\/2001\/01\/mattil_literatur.pdf\">Literaturverzeichnis<\/a><\/li>\n<\/ol>\n<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Titel &amp; Inhalt Einleitung Zur Begrifflichkeit der Performance Akteure und Publikum Materialit\u00e4t in Performance und Neuer Musik Bedeutung als Intention<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-457","post","type-post","status-publish","format-standard","hentry","category-diplomarbeiten"],"acf":[],"_links":{"self":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":7,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/457\/revisions"}],"predecessor-version":[{"id":1575,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/457\/revisions\/1575"}],"wp:attachment":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/media?parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/categories?post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/tags?post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}