{"id":5715,"date":"2018-01-12T17:53:48","date_gmt":"2018-01-12T16:53:48","guid":{"rendered":"http:\/\/icem-www.folkwang-uni.de\/icem-web\/?p=5715"},"modified":"2018-01-12T17:55:19","modified_gmt":"2018-01-12T16:55:19","slug":"just-in-time-i-und-ii-17-1-und-19-1-2018","status":"publish","type":"post","link":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/just-in-time-i-und-ii-17-1-und-19-1-2018\/","title":{"rendered":"Just in Time I und II 17.1. und 19.1.2018"},"content":{"rendered":"
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Mittwoch, 17.01.2018 19:30<\/strong>
\n Pina Bausch Theater<\/strong><\/p>\n

Nina Deuse<\/strong> | Scratch<\/em><\/p>\n

Isaac Espinoza \u00a0 \u00a0 \u00a0 \u00a0 Violine 1<\/strong>
\nHidrobo Min-Ji Jin \u00a0 Violine 2<\/strong>
\n Barbara Maurer \u00a0 \u00a0 \u00a0Viola<\/strong>
\n Chieh Lee \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Violoncello<\/strong><\/p>\n<\/div>\n

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Sebastian Ribeiro Albuquerque Wendt | <\/strong>Solo<\/em>
\n<\/strong><\/p>\n

die Fertigung einer Miniatur als mechanischer Prozess:
\nfalten, walzen, drehen, walzen, drehen, falten, fertig<\/em><\/p>\n

Marlies Debacker Klavier<\/strong><\/p>\n

Jonatan Blomeier | <\/strong>Und die Regungslosen entspannen sich<\/em><\/p>\n

„Bei zwei Schritt Abstand sind Mann und Frau, um nur von der allerinnigsten Beziehung zu sprechen, einander fremd. Angenommen, sie n\u00e4hern sich einander noch ein wenig, bis sie sich ber\u00fchren k\u00f6nnen und wechseln ohne stehenzubleiben einen Blick. Falls sie sich dabei wiedererkennen, zeigt es sich nicht.“ (Samuel Beckett)<\/em><\/p>\n<\/div>\n<\/div>\n

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Natan Tishin \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Violine 1<\/strong>
\nMona Lisa Vasile \u00a0\u00a0Violine 2<\/strong>
\nAlice Vaz \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Viola<\/strong>
\n Jana Susuri \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Violoncello<\/strong>
\nSeong Soo Hong \u00a0 \u00a0Kontrabass
\nJonatan Blomeier Erz\u00e4hler<\/strong><\/span><\/p>\n

Po Chien Liu | <\/strong>Bruch<\/em><\/p>\n<\/div>\n

<\/div>\n<\/div>\n
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„Bruch“ ist ein St\u00fcck, in dem Bl\u00e4ser, Streicher und Klavier mit dem Klang und der Struktur experimentieren.<\/em>
\n Es entsteht ein intimes Spiel zwischen Bl\u00e4ser und Streicher, ,die sich n\u00e4her kommen und sich voneinander entfernen, die miteinander und gegeneinander spielen, voneinander getrennt sind und dann doch eins werden. Zwei Stimmen mit Klavier , die singen, die leben und die Zeit und Raum gestalten und f\u00fcllen mit Klang.<\/em><\/p>\n<\/div>\n<\/div>\n

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Nestor Alvarez \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Viola<\/strong>
\nChieh Lee \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Violoncello<\/strong>
\n Niklas Broghammer \u00a0Fl\u00f6te<\/strong>
\nJihoo Kim \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Klavier<\/strong>
\nJokubas Plektus \u00a0 \u00a0 \u00a0 \u00a0 Kontrabass<\/strong>
\nTamon Yashima \u00a0 \u00a0 \u00a0 \u00a0 Oboe<\/strong>
\nEva Fodor \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dirigentin<\/strong><\/p>\n

|| PAUSE ||<\/p>\n<\/div>\n

<\/div>\n<\/div>\n<\/div>\n
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Logan Cain<\/strong> | Smile<\/em><\/p>\n

The title \u201cSmile\u201d refers to the inappropriate practice of telling women to smile, especially from men in a male- dominated environment. \u201cSmile\u201d explores a progression from calm to aggravated, mimicking a breakdown of tolerance in such situations. Since the general public has established a stereotype that the piccolo has \u201clight\u201d a \u201ccute\u201d tone quality, this piece seeks to break away from these stereotypes bit by bit, exploring angrier and grittier tone as an expression of freedom and strength, in parallel with that of a woman speaking out against sexism in a patriarchal society.<\/em><\/p>\n

Bianca Menezes Piccolo<\/strong><\/p>\n

Celso Machado<\/strong> | The Calling<\/em><\/p>\n

An inner urge or a strong impulse, especially one believed to be divinely inspired.<\/em><\/p>\n<\/div>\n<\/div>\n

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Orland Belo \u00a0 \u00a0 \u00a0 \u00a0 Posaune
\nCelso Machado \u00a0 Live-Elektronik
\nLousia Halter \u00a0 \u00a0 \u00a0Live-Elektronik
\nHannah Stienen Live-Video<\/strong><\/p>\n<\/div>\n

<\/div>\n<\/div>\n
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Florian Gernuss | <\/strong>Memory Tape
\n<\/em><\/p>\n

Ein zusammengeschnittenes Tape<\/em><\/p>\n<\/div>\n<\/div>\n

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fixed media <\/strong><\/p>\n

Tim Pauli | <\/strong>s_s_s<\/em><\/p>\n

1. Flipping The Page<\/em>
\n 2. Brute Force<\/em>
\n 3. Dancing Links<\/em>
\n 4. „Lock S-foils in attack position.“ 5. „Stay in attack formation!“<\/em><\/p>\n

6. „Yahoo!“<\/em>
\n 7. INTERLUDE 1<\/em>
\n 8. INTERLUDE 2<\/em>
\n 9. FINAL-SENTENCE<\/em><\/p>\n

github.com\/inkeye\/sinesudoku<\/em><\/p>\n

fixed media
\n<\/strong><\/p>\n

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Freitag, 19.01.2018 19:30<\/strong>
\n Pina Bausch Theater<\/strong><\/p>\n

Marius Bajog | <\/strong>Lagune aus dem Zyklus „Ozean“<\/em><\/p>\n

Li Hsueh-Chun\u00a0Klavier<\/strong><\/p>\n<\/div>\n

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Philip Popien \/ Anastasija Delidova<\/strong> | Organic Patterns<\/em><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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[Living Structures 002]<\/em><\/p>\n

Philip Popien \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Live- Elektronik
\nAnastasija Delidova Live-Video<\/strong><\/p>\n

Ali Ostovar |<\/strong> A LEAF A BODHI<\/em><\/p>\n

Ali Ostovar \u00a0 \u00a0 \u00a0 Live-Elektronik<\/strong>
\nXueqing Wang Fl\u00f6te<\/strong><\/p>\n

|| PAUSE || <\/em><\/p>\n

Antonia Hillebrand<\/strong> | I lost and found you<\/em><\/p>\n<\/div>\n<\/div>\n

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Antonia Hillebrand \u00a0 \u00a0Klavier,Gesang<\/strong>
\nLaura Isbert-Prades \u00a0Violoncello<\/strong>
\nPatrick K\u00f6hler \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E-Gitarre<\/strong>
\nMalte Winter \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Kontrabass<\/strong>
\nJohannes Mang \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Schlagzeug<\/strong><\/p>\n

Hannah Stienen<\/strong>\u00a0| Wenn sie lacht<\/em>
\n| Echos<\/em>
\n| 23<\/em><\/p>\n

Hannah Stienen \u00a0 \u00a0 \u00a0 \u00a0Gitarre, Gesang<\/strong>
\nLousia Halter \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Bass, Gesang<\/strong>
\nAntonia Hillebrand \u00a0 Klavier, Gesang<\/strong>
\nPatrick K\u00f6hler \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Gitarre<\/strong>
\nJohannes Mang \u00a0 \u00a0 \u00a0 \u00a0 Schlagzeug<\/strong><\/p>\n

Luca Fleer \/ EESE<\/strong> | Money<\/p>\n<\/div>\n<\/div>\n

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Pablo Borde \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Bass, Keyboards<\/strong>
\n Max Roling \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E-Gitarre, Gesang<\/strong>
\n Luca Fleer \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Keyboard, E-Gitarre, Gesang<\/strong>
\n Simon Gellenbeck \u00a0Schlagzeug<\/strong><\/p>\n

Christian D\u00fccker\u00a0<\/strong>| <\/span>Discoboys on Vacation<\/em>
\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0| <\/span>Bad Intention
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0| <\/span>The Mellophone<\/em><\/p>\n<\/div>\n<\/div>\n

\n
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Alle St\u00fccke sind Kollektivprodukte<\/em><\/p>\n

Nadir Alami \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Keys, Bass, Stimme<\/strong>
\n Christian D\u00fccker \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Synthesizer<\/strong>
\nAlexandre Langenscheidt \u00a0Gitarre, Synth-Orgel<\/strong>
\nTamim Ebadie \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0E-Gitarre, E-Bass\u00a0<\/strong>
\n Joel Faltin \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Schlagzeug, Stimme<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Mittwoch, 17.01.2018 19:30 Pina Bausch Theater Nina Deuse | Scratch Isaac Espinoza \u00a0 \u00a0 \u00a0 \u00a0 Violine 1 Hidrobo Min-Ji<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5715","post","type-post","status-publish","format-standard","hentry","category-konzerte-und-oeffentliche-veranstaltungen"],"acf":[],"_links":{"self":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/5715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/comments?post=5715"}],"version-history":[{"count":3,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/5715\/revisions"}],"predecessor-version":[{"id":5718,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/posts\/5715\/revisions\/5718"}],"wp:attachment":[{"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/media?parent=5715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/categories?post=5715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icem-www.folkwang-uni.de\/icem-web\/wp-json\/wp\/v2\/tags?post=5715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}