COLOR CODE (1998)
for computer
generated graphics on two canvas, 4-Track tape, Viola &
live-electronics
(MAX/MSP) by the
Group
ANIMATO.
Graphics artistic conception and artistic direction:
(Fachhochschule Bielefeld)
Computer generated Graphics:
(Universität Bielefeld)
Music composition & MAX/MSP programming:
(ICEM - Folkwang Hochschule ESSEN)
Genre:
Instrument and Tape – Interactive - MULTIMEDIA
The
interdisciplinary project “Color Code”, was produced with the
support of the Ministerium für Wissenschaft und Forschung des Landes
Nordrhein-Westfallen (Germany), in cooperation with the University of
Bielefeld, the Folkwang-Hochschule Essen and the group “Multimedia und
Kunst” (all in Germany).
The main idea of this project came from Gottfried Jäger and Karl Holzhauser (both professors for photography at the Fachhochschule Bielefeld (Germany), who were in charge of the 7th Vilem Flusser Symposium (also in the city of Bielefeld), from November the 26th to 29th 1998. “Color Code” was the opening event of the symposium.
Flusser
(1920-1991) was a media-philosopher, who made new and very interesting theories
about photography and media. “Color Code” was based on his text
“Postmoderne Farben” (postmodern colours) (1988), where the
“quantifying” (mathematical) and “qualifying”
(artistic) codes should be expressed with the help of colours. In the form of an
audiovisual Concert installation “Color Code” makes the idea of
color also present with sounds (Klangfarbe) due to the use of electroacoustic
music in all it’s possibilities (tape, real time computer generated
live-electronics and a live instrument). A new and very important point is that
of bringing together decisions coming from the “pure” rational
thought and the free imagination, that is mixing up graphic art, music and
mathematics.
(To view some of the COLOR CODE’s
Snapshots, click here)
For the generation
of sounds and also for the programming of the live electronics, very simple and
basic procedures were used, which should be the point of departure for the
whole composition, equivalent to the “visual” primary colours on
the canvas.
In a second
version the double projection is reduced to only one canvas. Nevertheless, the
whole projection is “live” generated (in real time) from an O2 SGI
computer.
An additional
part for the viola, which was not present in the premiere (November 1998) was
performed for the first time at the 9th Florida Electroacoustic Music Festival
(April 2000).
The name
describes here an interdisciplinary group of investigators for the production
and reflection of art in the time of electronic media. It’s members are
artists, scientists and technicians from many universities in Nordrhein
Westfalen (Germany). The group varies with every project. The first project was
“Animato”, which was produced also due to the initiative of Prof.
Gottfried Jäger in 1995 and which gave the group it’s name.
It’s members are: Gottfried Jäger, Karl Martin Holzhauser and Thomas
Noack (Fachhochschule Bielefeld- Germany), Peter Serocka and Andreas Dress
(Universität Bielefeld- Germany), Javier Alejandro Garavaglia (ICEM- Folkwang-Hochschule
Essen- Germany).