Auf dieser Seite eine erste, kurze Übersicht. Details gibt es in unserem / Here is a first, short overview. Details can be found in our
Tagesablauf/Daily Schedule
10:00-11:00, 11:00-12:00, 15:00-16:00.16:00-17:00: Kammermusiksaal: Discussions
14:00-15:00, 17:00-19:30 Foyer: Installation
13 :00-14:00, 19:30-21:00 Neue Aula: Concerts
11.11.
10:00 Kammermusiksaal Discussion 1: Dirk Reith: What is the relationship of electronic music today to that of the 1950 /60s avant-garde, and specifically, which predictions from that time came true, and which didn’t?
11:00 Kammermusiksaal Discussion 2: Hans Tutschku How should we teach elec – tronic music, or in particular how should we reflect the in – herent relationship between aesthetics and technology in our lessons and curricula?
13:00 Neue Aula Concert 1: SYNLAB
Dirk Reith NESTED LOOPS V
Claudius Brüse KAPITEL 80
Jörg Lensing DES KÖNIGS NEUES KLEID
Nicolas Jemming ANGELIQUE, MAIS SANS DIEU
Achim Bornhöft ARTIFICIAL CLICHÉS
Kees Tazelaar GEOGLYPHS
15:00 Kammermusiksaal Discussion 3: Florian Zwißler The eternal work of art: how much future does electronic music need and should we worry about technology ob – solescence?
16:00 Kammermusiksaal Discussion 4: Kees Tazelaar Does electronic music still exist or has it been sub – sumed into other genres?
19:30 Neue Aula Concert 2: VIDEO|DE L’AUTRE COTÉ
Misagh Azimi PANIC DRIVEN DIARIES
Tristan Berger RECOGNIZER
Dietrich Hahne LA DÉFENSE DE LA PEINE (UA)
Dirk Reith VARIATIONEN ÜBER DIE KESSELHAUSSUITE (UA)
Philipp Ludwig Stangl QUAD
Claudia Robles Angel DE L’AUTRE CÔTÉ (UA)
12.11.
10:00 Kammermusiksaal Discussion 5: Claudia Robles-Angel In either their visual or sonic aspect, are loudspeakers disturbing or otherwise distracting, simply a necessary part of the performance, or do they deliver a positive quality of their own in concert situations?
11:00 Kammermusiksaal Discussion 6: Dietrich Hahne & Claudius Lazzeroni Does (electronic) music need a visual element?
13:00 Neue Aula Concert 3: CINEMA FOR THE EARS
dis.playce (Max Marcoll & Hannes Seidl) R4
Kerim Karaoglu WIE ES WIRKLICH WAR
Claudia Robles Angel GLOCKENWELT
Christiane Strothmann RICK’S POSAUNE
Florian Hartlieb IM VORDEREN ZIMMER DES HINTEREN RAUMES
Claudia Robles Angel WANDERING IN MORELIA
Thomas Neuhaus REVELATIONS AND A TERRACE TALK
Dirk Reith & Claudius Lazzeroni SCATTERED VOICES
15:00 Kammermusiksaal Discussion 7: Maja S. K. Ratkje How is, why, and should sound art be distinguished from electronic music?
16:00 Kammermusiksaal Discussion 8: Maja S. K. Ratkje How is, why, and should sound art be distinguished from electronic music?
19:30 Neue Aula Concert 4: MIT/ÜBER STIMME
Dirk Reith verSTIMMUNG
Stefan Kreitmayer TONGUES OF BIRE
Roman Pfeifer STUDIE ZU EINEM LAUTGEDICHT
Friedhelm Hartmann (Freed) PORTRAITS OF A WOMAN II — Sirenes
Hans Tutschku REMEMBERING JAPAN — part 1
Michael Edwards SE TU PORTI IL VINO, IO FACCIO IL PESTO
Kees Tazelaar SERENADE fixed media
Ludger Brümmer FALLING
13.11.
10:00 Kammermusiksaal Discussion 9: Roman Pfeifer Aside from the common formats, which areas of musical performance include electronics in such a way that different, perhaps un – expected modes of working and thinking both merge and emerge in an interdisciplinary context?
11:00 Kammermusiksaal Discussion 10: Marta Gentilucci To what extent does tech – nology influence or even determine the aesthetics of the electronic composer, and vice-versa?
13:00 Neue Aula Concert 5 ELECTRIC / NOISY / CLICKS / CUTS
Dirk Reith PROGRAMM II
Jan Baumgart WARP&WOOF
Luís Antunes Pena SONOROUS LANDSCAPES 1 & 2
Florian Zwissler DOPPELBRUNN
Byung-Moo Lee SIGMA POINT
Hans Tutschku SPACES: HIGH PRESSURE (UA)
15:00 Kammermusiksaal Discussion 11: Thomas Neuhaus What do computers do best and, analogous to this, what does analogue do better?
16:00 Kammermusiksaal Discussion 12:00 Michael Edwards Perceptual or Conceptual? (in Electronic Music)
19:30 Neue Aula Concert 6 MIT/ÜBER INSTRUMENTE
Javier Garavaglia OVERTURE — in memoriam T.A.T.
Hans Tutschku KLAVIERSAMMLUNG
Dirk Reith NAHE ZU FERN
Marta Gentilucci EXERCICES DE STRATIGRAPHIE
Hannes Seidl RE:BOUNCE
Maja S. K. Ratkje SINUS SEDUCTION (moods two)
Sven Ingo Koch SAXL
Marta Gentilucci ›AS FAR AS THE EYE CAN SEE‹
Maja S. K. Ratkje ØX